What made you think of Broadsided for this poem?
Poet Mackenzie Berry: The poem has so much imagery that I thought it would be fitting to pair it with a visual art. I immediately thought of submitting it to Broadsided because there is no better public home for an ode to the color red than Broadsided. Broadsided’s mission of putting poems and visual art out into the world also excited me. I love art that interrupts, disrupts, and invites stillness.
What inspires you in this poem? What drew you to it?
Artist Kara Page: What initially drew me to this poem was the contrast between Berry’s images, the positive mixed with negative. The color red in general is seen as an angry color, but Berry gave it a depth that made me want to explore it in paint. Rather than focusing on the negative aspects of red, I wanted to showcase it in a more gentle light.
Describe your dream “Vectorization”—where, in your wildest dreams, would you most like to see this broadside posted in the world?
Poet Mackenzie Berry: I can’t pinpoint any specific, physical location, but I would like to see it placed as far from Louisville, Kentucky as possible just to see how far my hometown can stretch.
Artist Kara Page: On Instagram’s “currently trending” page. 😉
What did you think an artist would pick up on from your poem? Did the visual artist refract any element of the poem that made you see the poem differently?
Poet Mackenzie Berry: I knew the artist would sit with the color red and how it would or would not play in the visual piece. I wondered if the artist would make the color red the centerpiece and if the artist would represent any particular image in the poem. The artist represented nuance so well. The abstractness of the piece seems to encompass all the images in the poem with the color red running throughout, so I suppose the artist made the images in the poem seem cohesive and of the same body.
When you began this piece, was it color, shape, or some other aspect that you followed? Did that change?
Artist Kara Page: I definitely wanted the color red to be a part of this painting given the title of the poem, but a simple red painting didn’t feel right. I wanted the depth of the painting to match the depth of the poem. One specific image that stuck out to me as I painted was the Red Sea.
Despite the fact that the Red Sea is known as such, it isn’t actually red. It can look red because of a type of algae that grows there. I wanted my painting to be reminiscent of that: something that seems one way, but the reality might be something different: hence the abstract take on a landscape.
What surprised or struck you once you saw the finished broadside?
Poet Mackenzie Berry: The beauty and texture of the background struck me, as did the contrast of the blue and red. This poem was written in response to a prompt to write a blues song during poet and professor Amaud Johnson’s poetry workshop, and the original title of the poem was “Blues Song for the Color Red,” which was later revised. So I was gladly surprised to see blue being so present in the visual artwork despite the title’s revision.
Have you ever written work that has been inspired by visual art (other than the color red!)? What was that experience like for you? Why were you inspired to do so?
Poet Mackenzie Berry: I have experimented with writing ekphrastic poems, but I haven’t written any based on an artwork that are any good. It’s often difficult for me to separate from the artwork and let the poem live its own life because I don’t want to misrepresent the artist’s work even though I know there is room for many interpretations of a work. Usually portraits, isolation, and/or somberness draw me to a visual artwork.
How does literature fit into your creative life as a visual artist?
Artist Kara Page: In general, literature fits into my life on a daily basis because I try to read every day and every sort of thing. What inspires me most to paint is usually poetry. Poems can take on so many different forms, and the variety in them gives me all sorts of ideas for paintings. Even if I don’t end up painting after reading a poem, there are all sorts of things that get filed away for later inspiration.
If this broadside were a type of weather, what would it be?
Poet Mackenzie Berry: A quiet and distant storm.
Artist Kara Page: Rain in the desert.
Read any good books lately?
Poet Mackenzie Berry: Don’t Call Us Dead by Danez Smith and always Nikky Finney’s Head Off & Split and Rice.
Artist Kara Page: Just started reading We Are All Shipwrecks by Kelly Grey Carlisle.
Seen any good art lately?
Poet Mackenzie Berry: The Virgin Martyr St. Cecilia by Kehinde Wiley and Zanele Muholi’s self portraits.
Artist Kara Page: Maria Kreyn’s “Alone Together.”