“The Horse of Higashi-Matsushima”
Why did this piece of art resonate for you or seem like it would give you an avenue into writing about Japan’s earthquake and tsunami?
Poet Hugh Martin: The piece of artwork is a small, yet beautiful and important reminder that we need to keep Japan in our thoughts. I’d already drafted a poem about the picture of the horse, but the piece of art, focusing more on the disaster to the country as a whole, was a powerful juxtaposition to the specific, more concrete death of the horse, which ultimately leads us to the human deaths and the temporary graves.
Why did this visual response come to mind when thinking about Japan’s earthquake and tsunami?
Artist Yuko Adachi: I wanted to create an image that is positive, gentle and healing for Japanese people and to those who purchse this print. The reddish bubbles are love energy that is being sent to Japan and the circle represents the Japanese flag as well as the earth energy and the ray of light shining upon it, to indicate that the sun will rise again! The suffering that Japan is experiencing aches my heart to the point of numbness but I want to thank you for your support and love that you are sending to Japan. We feel it!
What do you think is the role of art in regards to real-world, real-time events? In other words, what makes a “successful” occasional or political piece of writing or art?
Poet Hugh Martin: I think all art should help us acknowledge and be more aware of disaster, both in the sense of the collective and the personal. Art can help heal those who were victims; it can help those who were distant better understand.
Yuko Adachi: An agile creative response with a purpose to the event that opens up our mind and willingness to make an effort to spread what we created and talk about it.